42nd Cambridge Folk Festival

Cambridge Diary 2006
Alice Ralph

Friday

8:45am
I was so exhausted on Thursday night that I can barely remember crawling into bed. Despite a reasonable nights sleep (my mother and I have discovered the necessities of eye-masks and ear-plugs when camping – mostly to protect ourselves from my Dad’s snoring and the site of each-other crawling out of bed the next morning) I am still suffering from extreme fatigue. We head for civilisation, or at least Sainsbury’s café, and stock up on vegetarian breakfasts, beer, humous and bread; the key to survival. We return to the campsite, where washing of hair commences, employing a variety of camping mugs and plastic bowls. Whoever said that today’s youth is a generation of Playstation-addicts and sofa-louts was terribly mistaken. Look how resourceful we are!

1:30pm
My mother has already fought her way to the front of the main tent with her blanket by this point, so we join her in time for the end of the Anna Massie Band set, at which point we promptly leave Mum to baby-sit our beer and head off to explore the stalls by daylight. I look jealously at the sitars for sale, but then remember the various mandolins, drums, ukuleles and other unplayed instruments sitting at home and think twice. We return for Tift Merritt, who is the first artist of the weekend that we really see. As my father pointed out, it is a good thing that she was so ugly or it may have distracted from the quality of the music.

photocredit Alice Ralph4:30pm
As I have the privilege of a media pass (I wear it around all weekend with pride, hoping people will mistake me for somebody of some importance) I join the rest of the photographers at the media caravan in time to photograph Seth Lakeman. Unfortunately, we are only allowed in the photographers pit for the first three numbers, which is as long as it takes for him to whip out his fiddle (but not his facial expressions) so I have nothing fiddle-related to show my Seth-obsessed friend Imi when I return. I do, however, remember the sign that she wrote and held up during his set at Larmer Tree Festival (“DO YOU WANNA SHOW ME HOW YOU FIDDLE?”) and vow to have him sign it for her before the weekend is over.

7:00pm
Bea and I find the river at Cherry Hinton, where we make friends with some geese and listen to the music floating over from somebody’s tent. Life is good.

9:00pm
We have been ordered by my parents to the main tent, and we arrive just in time for the obligatory viewing of Richard Thompson. I don’t know his songs (I mistakenly announce this loud enough for a small hoard of surrounding fanatics to turn round and glare at me in disgust) but he seems quite the highlight of the festival for a lot of people.

10:25pm
For me, the musical highlight of the day is Amadou & Miriam who are led slowly into the limelight by stagehands. I prove once again that I haven’t done my homework (“they’re blind?”) and the whole tent is packed for their beautiful African music. After yesterdays downpour and today’s soaring temperatures, it is the perfect music to end the evening.

11.30pm
Bea and I decide not to make the same mistake twice, and opt for the bus home tonight. Back at the campsite we stick our head into the open mic tent just to catch the end of a man who is singing in a slightly out-of-key out-of-time voice. Time for bed.

Continued