41st Cambridge Folk Festival

Saturday

Saturday starts off the same way as Friday, a shower and a trip to the Unicorn for breakfast. A full English polished off, there's time to finish the Friday write up before heading off to the site.
It's still earlyish and I find myself going against the flow of slightly hungover festivalers going the other way.
First objective of the day is the Club Tent and Karine Powart's singing workshop. There's a queue of peolple waiting to sign up for a festival session.
Some of them have been queueing since the ungodly, for a festival, hour of eight o'clock in the morning.
Glancing at the board I notice that Martha Wainwright played a fifteen minute slot last night and I'd managed to miss it, damn! To make matters worse someone who heard me cursing claimed it was his set of the festival so far.
Karine's workshop starts off with a workout to shake the cobwebs out of the system and loosen the vocal chords. Even so there's something quite surreal about watching one hundred people doing front crawl without the aid of a swimming pool.
Ironically a number of the FATEA crew are at the swimming pool, shaking off the rigours of last night.
Exercises over it was time to get those vocal chords working. The first couple of songs are simple rounds. The first is in English, the second Scots, in preperation for more a more complicated tunes later on.
It's a different start to the day and one I'm sure was rewarding for those taking part.
Time for the first drink of the day, a banana milkshake this time. Being a music journo isn't all about hard drink, hard drugs and hard women.(Sigh)
The festival proper hasn't started yet, the media team are starting to get the day sorted, but have still managed to find time to set up the dartboard.
A couple of games of 301 are had and the press darts tournament is a distinctly worrying possibilty.
It's midday, the weather can best be described as overcast and sultry. What we really need to get the mood just right is a bit of old timey bluegrass. Fortunately that's just what we got in the shape of Old Crow Medicine Show(OCMS)
OCMS were the surprise hit of last year, a surprise because they weren't booked, came along as guests of Gillian Welch and circumstances conspired to give them a couple of slots.
This year they were booked in their own right and were the perfect start to the day. Their sound may be based on bluegrass, but the songs are more drugs and pimps than Deliverance.
There's plenty of young women down the front to catch this visually as well as audibly pleasing band.
There was time to work up a sweat and then let it chill when they hit the slower numbers. OCMS show were a band in the right place last year. The same was true of this year.

Continued