ThursdayTime to head back to
the media caravan to see what's happening. It turned out to be
a Roddy Frame interview. Roddy's a great guy, relaxed and easy
to talk to. Cat and me get down to doing the interview, but more
of that elsewhere on the site.
Interview in the can, there's just about enough time to nip and
catch the inappropriately named Boo Hewerdine Trio. The thing
is with trios is that traditionally there's three people in one.
That's two less than the number that actually took the stage.
But, as Boo played my all time favourite song of his "Bell
Book & Candle", I'm prepared to forgive his poor maths.
As expected Boo and co delivered
a thoughtful set that was a rich in lyric as it was in tune. It
was a scintillating contrast to the set that preceded it. The
trio added Rosalie Deighton and a name I missed to the usual line
up of Boo, Graham Henderson and X
The combination worked well bringing with it a richness of sound
that really complimented the lyric. Boo Hewerdine is one of those
artists that you can listen to all day; because you know he can
entertain you all day. It also means that when a 45 minute set
comes to an end you want more.
Back stage I bump into Anna and Ben from Uiscedwr, there's time
for a quick word. Apparently they're going into Kate Rusby's studio
once they've finished the festival season so maybe October. Whilst
I'm there Andy Kershaw pops over. A quick bit of smoozing sees
cards being exchanged and the possibility of a Radio 3 session
is briefly discussed.
The conversation breaks up as everyone splits to catch the next
set on the Radio Two Stage, The Angel Brothers & Satnam Singh.
In a night of contrasts, we are
treated to a multi instrument act with a multicultural flavour.
The sound ranges through folk and bhangra with some Iraqi poetry
thrown in for good measure.
The result was both interesting and evocative. Whilst it didn't
exactly blow the roof of it was highly entertaining. Music is
a universal language and this was the sort of sound that reached
out to the emotions without the need to understand the words.
Some of the percussion displayed on stage ranks alongside the
best I've heard played at Cambridge. Where people found the space
to dance, they did just that. To be honest it's been a while since
I remember hearing a band with this much Asian style at Cambridge.
It went down well and hopefully is a good portent for the future.